Mi Nursing Care Plan Essays

Mi Nursing Care Plan Essays Mi Nursing Care Plan Essay Mi Nursing Care Plan Essay X Nursing Care Plan |Assessment |Diagnosis |Planning |Intervention |Rationale |Evaluation | | | | | | | | |Subjective: â€Å"nahihirapan siyang |Activity intolerance related to |Within the shift, monitor the |Instruct the patient for bed |To comfort the patient. STG: | |huminga as verbalized by the |cardiac dysfunction, changes in |ECG and vital signs every hour |rest with comfort position. | |Within 2hrs of nursing | |patients companion† |oxygen supply and consumption as|to determine abnormalities. | | |intervention, the client | | |evidenced by shortness of | |Instructed the patient in |To improve breathing pattern. tolerated activity without | |Objective: |breath. |Comfort the patient to normalize|isometric and breathing | |difficulty of breathing and had | | | |activity level of respiratory |exercise. | |been able to utilize breathing | |-increase heart rate | |distress. |To lessen fatigue and weakness. |techniques. | |-increase blood pressure | | |Assist patient with ambu lation | | | |-pallor | | |as ordered. |LTG: | |-fatigue and weakness | | | |For patients chest pain and |Within 3 day of nursing | |-decrease oxygen | | |Give medication as per doctor’s |shortness of breath. |intervention, the client | |saturation | | |order. |increased and achieved desired | | | | | | |activity level, progressive | |V/S | | | | |without intolerance symptoms | | | | | | |noted such as respiratory | |BP:140/80 | | | | |compromise. | |PR:80 | | | | |Goal met. |RR:27 | | | | | | |Temp:37? c | | | | | | | | | | | | | | | | | | | | Assessment |Diagnosis |Planning |Intervention |Rationale |Evaluation | | | | | | | | |Subjective: â€Å"naninikip ang aking|Alteration in comfort as |After 8 hrs of nursing |Assess chest pain of 7/10. |To determine the intensity of |After the 2 days of nursing | |dibdib as verbalize by the |evidence by the above signs and |intervention the client will | |pain. intervention the client have | |patient† |symptoms related to mycocar dial |have improved comfort in the |Encourage the patient to | |improved comfort in chest and is| | |ischemia resulting from coronary|chest by giving medications, |maintain bed rest during pain |To reduce respiratory distress |able to rest, displays reduced | |Objective: |artery occlusion with loss/ |monitoring vital signs, checking|with position of comfort to | |tension and sleeps comfortable. | |-restlessness |restriction blood flow to an |the ECG and proper positioning |promote calmness. | | | |-facial grimacing |area of the myocardium and; |of the patient. | | | | |-fatigue |necrosis of the myocardium. |Administer analgesics as | | | |-shortness of breath | | |ordered, such as morphine | | | | | | |sulfate, beta blockers, and |Morphine is a drug of choice to | | | | | |calcium channel blockers. control MI pain | | |V/S as taken: | | | | | | |BP:140/80 | | | |To block the sympathetic | | |PR:80 | | | |stimulation, reduce heart rate | | |RR:27 | | | |and lowers myocardial demands. | | |Temp:37? | | | | | | | | | | |To increase coronary blood flow | | | | | | |and collateral circulation which| | | | | | |can decrease pain due to | | | | | | |ischemia. | | | | | | | | |

What You Should Know About Electronics

What You Should Know About Electronics Electronics is the branch of physics that deals with the emission and effects of electrons and the operation of electronic devices. How Is Electronics Different From Electricity? Many devices, from toasters to vacuum cleaners, use electricity as an energy source. These electrical devices transform the electrical current they receive through your wall socket and transform it into another form of energy. Your toaster, for example, transforms electricity into heat. Your lamp transforms electricity into light. Your vacuum cleaner transforms electrical energy into motion that drives the vacuums motor. Electronic devices, however, do more. Instead of transforming electrical energy into heat, light, or motion, they actually manipulate the electrical current itself. In this way, electronic devices can add meaningful information to the current itself. Thus, an electric current can be manipulated to carry sound, video, or data. Most devices are both electrical and electronic. For example, your brand new toaster may transform electricity into heat and also manipulate the current using a thermostat that maintains a specific temperature. Similarly, your cell phone needs a battery to provide electrical energy, but it also manipulates electricity to transmit sound and pictures. History of Electronics While we think of electronics as a modern field, it has actually been around for well over 100 years. In fact, the first manipulation of electrical currents for practical purposes began in 1873 (with Thomas Edison). The first major breakthrough in electronics occurred in 1904, with the invention of the vacuum tube (also called the thermionic valve). Vacuum tubes made possible the invention of TV, radio, radar, telephones, amplifiers, and even microwave ovens. In fact, they were used throughout most of the 20th century and are even in use in some places today. Then, in 1955, IBM introduced a calculator that used transistor circuits without vacuum tubes. It contained no fewer than 3,000 individual transistors. Digital technology (in which information is shared using a combination of 0s and 1s) became easier to design with the use of transistors. Miniaturization has led to a revolution in digital technology. Today, we think of electronics as relating to high tech fields such as computer design, information technology, and design of electronic devices. The reality, however, is that electricity and electronics are still very closely allied. As a result, even auto mechanics must have a good understanding of both fields. Preparing for a Career in Electronics The field of electronics is vast, and electronic engineers generally make a very good living. If you are planning to go to college, you may choose to major in electronic engineering, or you may choose a university where you can specialize in a particular field such as aerospace, telecommunications, or manufacturing. In any case, you will be learning about the physics and practical uses of electricity and electromagnetism. If you are not going the college route, you have several good options in the field of electronics. Electricians, for example, are often trained through apprenticeship programs; todays electricians must also be up to date with electronics, as most projects require a working knowledge of both. Other options include electronic sales, manufacturing, and technician jobs.

Culture geography Essay Example | Topics and Well Written Essays - 500 words

Culture geography - Essay Example The initial symptoms of the disease included a high fever, accompanied by running noise and conjunctivitis(CDC). After some time, the person can develop rashes on the face that can spread to the back and trunk. In some cases, it can also present as pneumonia, meningitis, hepatitis, febrile convulsions, diarrhea, laryngitis, otitis media, bronchitis, and croup. Once a diagnosis of measles is made, treatment has always to be provided. Such medications are provided to prevent worsening symptoms or suspected complications. Commonly prescribed drugs are antipyretics, antibiotics, rehydration agents and cough syrups(CDC). For primary prevention of the disease, immunization is often used for any children under the age of 5 years. Measles can have a usual occurrence and an unusual occurrence. That implies that the symptoms of measles can vary from person to person. In some people, measles can present as a rash, conjunctivitis and running nose together with fever, and take a period of more than a week for it to heal. In other people, the disease can progress to a worse states resulting to various complications(CDC). Currently, due to the lack of treatment of measles once one gets it, as it is entirely dependent on one’s immune system, quite a number of complications can result from it.When one has measles, one loses a lot of fluids through running noise, through high fevers, through diarrhea, hence resulting to an electrolyte imbalance shift together with dehydration. Dehydration can have several complications if not corrected in advance(CDC). Patients can suffer from complications of electrolyte depletion like hypokalemia, hypernatremia, hypocalcemia, hypomagesia, and loss of other elements. Measles in Iceland is believed to have come from North of the country and infected the town of Reykjavic first. It later spread to three towns on the oopposite side of the country and thereafter to the densely-populated southwest. Finally there was a breakout of

Strategic Assessment of Wal-Mart for an ITM class Essay

Strategic Assessment of Wal-Mart for an ITM class - Essay Example Many others are of the view that the current problems were because of Wal-Mart’s failure to incorporate state-of-the-art IS/IT technologies in its operations. Being a business technology consultant hired by Wal-Mart, I do believe that Wal-Mart is in trouble mainly because of its failure to incorporate suitable IS/IT technologies in its activities. Offline businesses are currently giving way for online businesses or e-commerce. It is important for Wal-Mart to give more attention to online businesses. â€Å"Wal-Mart has assembled a team of 70 developers, computer engineers and researchers — dubbed @WalmartLabs — in an aggressive attempt to position itself at the forefront of social and mobile commerce† (Wal-Mart: The Next Tech Giant?). However, its e-commerce platform still needs more fine tuning to attract more visitors. Just like Amazon and Google, it is better for Wal-Mart to enter into the search engine business so that it can expand its business portfolios as well as enhance its retail business. Shopperception is a new IT related technology evolved out in recent times to check the consumer behaviours and buying habits. â€Å"Shopperception recognizes the customers when they check-in and it remembers previous buying habits and can predict what the customer is likely to want on this visit† (Israel). Wal-Mart should use this technology extensively in its retail outlets to help the consumers. â€Å"The Wal-Mart network, connecting more than 2,400 stores and 100 distribution centers worldwide. At Wal-Mart, we dont implement technology for its own sake," says David Flanagin, Director of Network Engineering† (The Wal-Mart Story, p.1). From the words of David, it is evident that Wal-Mart is not much keen in using technologies to improve the efficiency of its global activities. It should be noted that efficient working of a supply chain is necessary for Wal-Mart to

New York City Adventure Essay Example for Free

New York City Adventure Essay My favorite trip Ive ever been on was definitely my first trip to New York City. Through the many stores and massive crowds of people I learned some important life lessons, other than how much I enjoy elbow room. The Big Apple was more that just a city to me, it was an experience, in fact, the whole trip was an experience! Whether it was the airplane ride to Manhattan, the city itself, or the Yankee game we went too, I had an amazing time. I never will forget that early morning where drove up to the Charlotte-Douglas Airport and I began my NYC journey. I walked in to see people scattered across the airport like ants after an anthill was knocked over. My parents instantly went to get our boarding passes but with all the noise it was hard to keep up. While my parents were getting a bag checked at the front desk I began to look around and I saw all the people. Little did I know how many people Id end up seeing in the next week alone! Then we began to roll our suitcases up to the security section of the airport. After just a few crazy minutes we were in the terminal area. It was hard to take in it all, but before I knew it I was boarding my plane to New York, New York! It all happened so fast, one second I was getting on a plane, the next I was sitting in a hotel looking down my window at The city that never sleeps (and with all the traffic and noise outside Im pretty sure the people here dont sleep either!). Despite my lack of sleep, early the next morning my family and I were walking through the streets of New York City. We walked through Rockefeller Center and saw some of the studios where TV shows were filmed. We went on a ferry ride to see The Statue of Liberty, which itself was a beautiful site. We ate classic foods for the area, like New York Pizza from Grand Central Station, and a hot dog from Coney Island. All together this made for the greatest day ever, and believe me I slept through the night since all that touring made me really tired! No matter how exhausted I was, I was ready to wake up and do it all again the next day! The day before we were going to take our trip back home we decided to go to a New York Yankee baseball game. I dont know that much about baseball, but It was still a great game! Though our seats werent great, we did get to see one of the most classic baseball teams do what they do best! Since I wasnt to attached to the game I got to sit back, drink my soda, and watch some good baseball. I must say the most exciting thing about the whole game didnt come till the final hours when the game went to over time. After 3 extra innings the star player slugged a ball right out of the park for the Yankees to win. It seemed like all the fans were dancing out of the stadium and it was a perfect way to end the perfect trip. We packed a lot of fun into such a short trip, sometimes ill look back and it feels like Im still in that crowded city walking the streets. With the taxis and all the unique people, Im not sure anyone could forget it! In retrospect I only wish I could have stayed longer to enjoy the trip even more! On the plane ride there, walking through the city, or sitting up high at the Yankees game, my first trip to New York City was the best trip Ive ever been on. Now I can say, one of the greatest things that ever happened to me was when I took a bite out of the Big Apple.

Accounting Scandal Essay -- essays research papers

I should be guilty of dissembling if I were not to refer to the economic difficulties which have affected Japan recently along with several other countries. I assume that these difficulties have come as a shock to people in Japan because of their contrast with the prolonged period of economic success which preceded them. But they show, as history has shown so often, that the enjoyment of steady uninterrupted growth, over the very long term, is beyond the capacity of nations. Every country, no matter how successful, seems bound to experience setbacks. The history of the changing wealth of nations is the subject for a different speech by a different speaker. But accounting has a part to play, an important part, because of its role in making markets work effectively. And this is very much the subject for this speech and this speaker. The Value of Accounting Standards Today, the central focus of accounting is surely the measurement of business performance. Over the last 200 years or so, the broad trend of economic development has been towards specialisation, large scale production, enabled by increasing domestic and international trade. Large scale production has depended on the growth of capital markets. Hence, although other purposes remain important, the modern focus of accounting has come to be to serve the capital markets, to make those markets work efficiently. This process is not finished in any country of the world, much less internationally. I want to emphasise the importance of this purpose of accounting. People who provide capital do so for a return and they wish to have reports of performance to help them decide how much to invest in particular businesses and on what terms. They wish performance to be reported in a manner which helps them to assess future prospects. Investors generally dislike risk. The higher they perceive the risk to be, the higher the return they seek for providing capital to a particular business. Perceived risk comes partly from economic fundamentals: from technologies, from demand factors and from competition. But it also comes from accounting. If accounting information is failing to meet the needs of investors, perhaps because it is perceived by them to be unreliable, the investors will feel more uncertainty in judging economic prospects than is warranted by the economic fundamentals. Investors will require to be compens... ...urrently experiencing a time of economic stress. I wonder whether people in Japan will think that this is the ideal time to accept international standards for cross border listings in Japan, whether they will think that acceptance of international standards would provide the clearest possible signal of Japan's determination to be in the mainstream of international accounting developments. I wonder whether people in Japan might think that this is the ideal time to undertake a review of all Japanese accounting rules to incorporate the best of international accounting so that, like Australia, Japan could say that compliance with national standards would produce compliance with international standards without the two sets of standards necessarily being identical. People might think that this would remove inhibitions for international investors in investing in Japanese companies and would enable Japanese companies to obtain their capital on the most favourable possible international t erms. People might think that everything possible would then have been done to ensure that accounting was playing its part in the economic recovery which your overseas visitors so warmly wish you to enjoy.

Essay Bishop

The below essay is a final draft, and not a final copy; therefore, it does not have page numbers and cannot be quoted in future publications. The published version of the essay is in the following book available in print and online versions in the Seneca library: Elizabeth Bishop in the 21st Century: Reading the New Editions. Eds. Cleghorn, Hicok, Travisano. Charlottesville and London: University of Virginia Press, June 2012. Part II (of the 4 part book with 17 essays by different people) Crossing Continents: Self, Politics, Place Bishop's â€Å"wiring fused†: Bone Key and â€Å"Pleasure Seas†Angus Cleghorn Elizabeth Bishop's Edgar Allan Poe & The Juke-Box and the Library of America edition of Bishop's poetry and prose provide readers with additional context enabling a richer understanding of her poetic project. Alice Quinn's compelling tour of previously unpublished archival material and her strong interpretive directions in the heavily-annotated notes let us color in, highlight and extend lines drawn in The Complete Poems. Some of those poetic lines include wires and cables, which are visible in Bishop's paintings, as published in William Benton's Exchanging Hats.If we consider the extensive presence of wires in the artwork alongside the copious, recently published poetic images of wires, we can observe vibrant innovation, especially in the material Bishop had planned for a Florida volume entitled Bone Key. The wires conduct electricity, as does The Juke-Box, both heating up her place. Florida warms Bishop after Europe: in this geographical shift, we can see Bishop relinquish stiff European statuary forms and begin to radiate in hotbeds of electric light.Also existing in this erotic awakening is a new approach to nature in the modern world. Instead of wires representing something anti-natural (modernity is often this sort of presence in her Nova Scotian poems, for example, when â€Å"The Moose† stares down the bus), the wires conduct ener gy into a future charged with potential where â€Å"It is marvellous to wake up together† after an â€Å"Electrical Storm. † This current brings Bishop into alien territory where lesbian eroticism is illuminated by green light, vines, wires and music. Pleasure Seas,† an uncollected poem that stood alone in The Complete Poems, is amplified by the previously unpublished Florida draft-poems, many of which include the words Bone Key in the margins or under poem titles; this planned volume is visible in the recent editions and is prominent in Bishop's developing sexual-geographic poetics. In The Complete Poems, â€Å"Pleasure Seas† is first of the â€Å"Uncollected Poems† section. As written in the â€Å"Publisher's Note,† Harper's Bazaar accepted the poem but did not print it as promised in 1939.This editorial decision cut â€Å"Pleasure Seas† out of Bishop's public oeuvre until 1983 when Robert Giroux resuscitated it in the uncollected se ction. Thus it is read as a marginal poem, which has received relatively little critical attention. Far less than â€Å"It is marvellous to wake up together,† a previously unpublished poem found by Lorrie Goldensohn in Brazil that has been considered integral to understanding Bishop's hidden potential as an erotic poet since Goldensohn discussed it in her 1992 book, Elizabeth Bishop: The Biography of a Poetry.Perhaps because â€Å"Pleasure Seas† has been widely available since 1983 in The Complete Poems, this poem does not appear to critics as a found gem like â€Å"It is marvellous . . . .† Now, however, we can read these previously disparate poems together in the Library of America Bishop: Poems, Prose and Letters volume, in which â€Å"Pleasure Seas† was placed accurately by editors Lloyd Schwartz and Robert Giroux in the â€Å"Unpublished Poems† section. As such, it accompanies numerous unpublished poems, many of them first published by Quinn i n Edgar Allan Poe & The Juke-Box. Pleasure Seas† is a tour de force, and its rejection in 1939 likely indicated to Bishop that the public world was not ready for such a poem. I speculate that had that poem been published as promised, Bishop would have had more confidence in developing the publication of Bone Key, a volume which would have followed, or replaced A Cold Spring and preceded Questions of Travel; she might have re-formed A Cold Spring into a warmer, more ample volume as Bone Key.A Cold Spring ends with the lesbian mystique of â€Å"The Shampoo,† the bubbles and â€Å"concentric shocks† of which make a lot more sense when accompanied, not by the preceding poem, â€Å"Invitation to Miss Marianne Moore,† but by erotic poems such as â€Å"Pleasure Seas,† â€Å"Full Moon, Key West,† â€Å"The walls went on for years & years†¦,† â€Å"It is marvellous to wake up together,† and â€Å"Edgar Allan Poe & the Juke-Box. â⠂¬  Bishop's writing in Florida involves tremendous struggle to express sexual desire and experience.Automatic bodily impulses contend with traditional strictures. Since in Florida â€Å"pleasures are mechanical† (EAP 49) and for Bishop counter the norms of heterosexual culture, her tentative imagination treads â€Å"the narrow sidewalks / of cement / that carry sounds / like tampered wires †¦ † in â€Å"Full Moon, Key West† (EAP 60). She fears the touch of her feet may detonate bombs. Bishop's recently published material offers explosive amplitudes measured against the constraints of traditional poetic architecture. Full Moon, Key West† and â€Å"The walls went on for years & years†¦,† in EAP are dated circa 1943. In both poems, Bishop envisions nature merging with technology to provide an extension of space in her environment: The morning light on the patches of raw plaster was beautiful. It was crumbled & fine like insects' eggs or wal ls of coral, something natural. Up the bricks outside climbed little grill-work balconies all green, the wires were like vines. And the beds, too, one could study them, white, but with crudely copied lant formations, with pleasure. (EAP 61) Teresa De Lauretis writes in Technologies of Gender about how innovative language and technology (in film) represent gender and sexuality in new formal expressions of life previously considered impossible. The new poetic material from Bishop similarly re-formulates human living spaces. In the above poem, the man-made room's construction breaks down into natural similes. A dialectic between nature and architecture has nature grow into walls, balconies and rooms.This poetic process is found in later poems such as â€Å"Song for the Rainy Season,† in which the mist enters the house to make â€Å"the mildew's / ignorant map† on the wall. Typical human divisions between construction and organicism are made fluid. In â€Å"The walls†¦,† divisions between inner and outer worlds crumble; for instance, white beds are studied, but are they beds to lie in, or plant beds on the balconies? Bishop writes that they are â€Å"with crudely copied / plant formations,† suggesting both flowers and perhaps a patterned bedspread (rather like the wallpaper-skin of â€Å"The Fish†).The phrase, â€Å"walls of coral,† itself merges architecture with nature, also echoing Stevens' 1935 image of â€Å"sunken coral water-walled† in â€Å"The Idea of Order at Key West,† which Bishop had been reading and discussing in letters with Marianne Moore. Stevens and Bishop draw attention to artifices of nature, and nature overpowering artifice. The natural versus manufactured-world dichotomy is deconstructed through innovative cross-over imagery, continuing in these lines: Up the bricks outside climbed little grill-work balconies all green, the wires were like vines. (EAP 61)Vines simply grow up buildin gs, so we have a precedent for nature's encroachment on man-made constructions. Here, Bishop replicates natural vines with â€Å"little grill-work balconies / all green,† a man-made architecture that looks as if it grows on its own. Then the poet surprises us again with another simile, â€Å"the wires were like vines. † The imagery of the wires blackly echoes that of the balconies; again this accretion lends the physical man-made constructions a fluid, surreal life of their own, which is empowered naturally by the simile that has them acting like vines.Vine-wires extend nature through technology into potential domains far from this balconied room. However, despite the revolutionary â€Å"Building, Dwelling, Thinking,† to use the title of the well-known Heidegger essay, this is a poem of walls, which offers temporary extensions of nature, only to be shut down when One day a sad view came to the window to look in, little fields & fences & trees, tilted, tan & gray . Then it went away. Bigger than anything else the large bright clouds moved by rapidly every evening, rapt, on their way to some festivity. How dark it grew, no, but life was not deprived of all that sense f motion in which so much of it consists. (EAP 62) With a last line again sounding like Stevens, and yet the rest of the poem very much Bishop, â€Å"The walls†¦Ã¢â‚¬  concludes with walls between the poet's human nature and nature's indifferent â€Å"festivity. † The muted colors of traditional human habitation infiltrate her window, so Bishop will have to wait, as her wishful thinking indicates earlier in the poem, for a â€Å"future holding up those words / as something actually important / for everyone to see, like billboards† (61). My essay hoists up these formerly scrapped images of alien technology, held back in Bishop's time, â€Å"like billboards. Those diminutive â€Å"little fields & fences & trees, tilted, tan & gray† are found in an earli er poem, â€Å"A Warning for Salesmen,† written between 1935 and 1937. Earlier poems, especially from Bishop's years in Europe, lack wires as conduits of energy and transformation. â€Å"A Warning to Salesmen† offers a static portrait of marital doldrums; it speaks of a lost friend, dry landscape, and farmer at home †¦putting vegetables away in sand In his cellar, or talking to the back Of his wife as she leaned over the stove. The farmer's land Lay like a ship that has rounded the worldAnd rests in a sluggish river, the cables slack. (EAP 16) Alice Quinn found this poem in Bishop's notebook, written when she took a â€Å"trip to France with Hallie Tompkins in July 1935†³ (251). Even if it is a poem of loss, it also anticipates gain. The slack cables await tightening. The lack of desire in the poem begs for it; Quinn notes this through Bishop's scrawling revisions: Lines scribbled at the top of the page to the right of the title: â€Å"Let us in confused, b ut common, voice / Congratulate th'occasion, and rejoice, rejoice, rejoice / The thing love shies at / And the time when love shows confidence. To the right at the bottom of the draft, Bishop writes, â€Å"OK,† but the whole poem is crossed out. And below, on the left: â€Å"My Love / Wonderful is this machine / One gesture started it. † (251) This machine anticipates the mechanical sexual pleasures found in the Florida bars written into â€Å"Edgar Allan Poe ; the Juke-Box. † â€Å"A Warning to Salesman† shows she had long been waiting for Florida. Before she slots nickels into the Floridian Juke-Box, Bishop's trip to France includes time spent residing by â€Å"Luxembourg Gardens† in fall 1935.This poem of garden civilization indicates Bishop's relationship with European traditional architecture; the poem begins: Doves on architecture, architecture Color of doves, and doves in air— The towers are so much the color of air, They could be any where. (EAP 27) While the deadpan-glorious tone might resemble Stevens, we might also think of Bishop's â€Å"The Monument,† which was written earlier and first published in 1940; it also ambiguously provokes present explorations of art, thought and place, rather than fixing memories of the past.Barbara Page's essay, â€Å"Off-Beat Claves, Oblique Realities: The Key West Notebooks of Elizabeth Bishop,† clearly demonstrates that Bishop's â€Å"The Monument† is a response to Stevens' statues in Owl's Clover, one of which was located in Luxembourg Gardens, as Michael North demonstrated in The Final Sculpture: Public Monuments and Modern Poetry. Similar to Stevens' rhetorical parody of monuments, in Bishop's â€Å"Luxembourg Gardens,† â€Å"histories, cities, politics, and people / Are made presentable / For the children playing below the Pantheon† (27) and on goes a list of history's prim pomp.Then a puff of wind sprays the fountain's water, mocking à ¢â‚¬Å"the Pantheon,† the jet of water first drooping, then scattering itself like William Carlos Williams' phallic fountain in â€Å"Spouts. † Finally, the poem ends with a balloon flitting away, as children watching it exclaim, â€Å"It will get to the moon. † By employing the fluid play of kids, wind, water and dispersal, Bishop builds a conglomerate antithesis to traditional Parisian monumentality.With even more Stevensian flux than â€Å"The Monument,† this poem situates Bishop's critique of monuments in Europe, unlike the well-known â€Å"Monument† poem, which could be anywhere, and thus speaks of a more liberating and expansive American perspective, drifting from European classical culture possibly all the way to Asia Minor or Mongolia. Also from her 1935 notebook is â€Å"Three Poems,† which works well to explain Bishop's transition from studying the architecture of Europe to recognizing its sterile limitations and then finding her own perspective.Section III develops an emotional movement away from stultifying monumentality: The mind goes on to say: â€Å"Fortunate affection Still young enough to raise a monument To the first look lost beyond the eyelashes. † But the heart sees fields cluttered with statues And does not want to look. (EAP 19) In the final stanza a future is foretold by the promise of a fortunate traveler: Younger than the mind and less intelligent, He refuses all food, all communications; Only at night, in dreams seeking his fortune, Sees travel, and turns up strange face-cards. EAP 19) Starving (a word Susan Howe uses to describe American women poets before Dickinson), this speaker is impoverished by statues and has, as the lone alternative, future fortune in surreal night visions of travel. Bishop's travels will fill her gypsy-heart's desire as it expands its vocabulary in the roaming poetic technologies found in Florida and Brazil, but Paris itself does not illuminate love. In the Pari s of â€Å"Three Poems,† â€Å"The heart sits in his echoing house / And would not speak at all† (19).This inarticulate â€Å"prison-house† enables us to see why Bishop needed to travel in search of home as an idea, but not a physical settlement, as her use of Pascal illustrates in â€Å"Questions of Travel. † Her jaunt to Brazil inadvertently became an eighteen-year residence with Lota de Macedo Soares, but their home was not fully expressed in the volume, Questions of Travel. Florida was the source of sexual-poetic experimentation; Bishop's work from there proliferates with freedom not yet found in Europe, and not written into the published poems from Brazil.The reticent Bishop did not want to be known as a lesbian poet; it would limit her reputation and her private life in the public sphere, and she likely feared that sexual expression would not be accepted in print. A poem from Questions of Travel, â€Å"Electrical Storm† (1960), strikingly ind icates excitement with Lota in Brazil. Just as striking, though, is the repressive prison-house in this poetry. It reveals as much repression as it does desire: Dawn an unsympathetic yellow. Cra-ack! – dry and light. The house was really struck. Crack! A tinny sound, like a dropped tumbler. . . . hen hail, the biggest size of artificial pearls. Dead-white, wax-white, cold – diplomats' wives favors from an old moon party – they lay in melting windrows on the red ground until well after sunrise. We got up to find the wiring fused, no lights, a smell of saltpetre, and the telephone dead. The cat stayed in the warm sheets. The Lent trees had shed all their petals: wet, stuck, purple, among the dead-eye pearls. (PPL 81) While the electrical storm is substantial, the poem narrates it after the fact, and the storm cuts off communication with a dead telephone and â€Å"wiring fused. So the electricity certainly was there, but the lightning is pejoratively â€Å"like a dropped tumbler. † And the only animal in bed is Tobias the cat, â€Å"Personal and spiteful as a neighbor's child. † Personal electricity is not expressed, certainly not through Lent; it is spited in the society of neighbors and â€Å"diplomats' wives,† whose nature is described as â€Å"dead-white,† their hail like â€Å"artificial pearls. † Unlike the earlier poem of desire, â€Å"The walls went on for years . . . ,† in which balconies are transformed by vines into wired energy, â€Å"Electrical Storm† displays the reverse action.Nature is hardened into artifice. Social civilization, like Bishop's monuments, is a restrictive agent, part of the past in conflict with the newfound energy of Bishop's tropical present. In Brazil, the poet constantly observes the natural world as vulnerable to civilization. Sometimes Bishop presents an alternative harmony, as in â€Å"Song for the Rainy Season,† which moistly answers to the repres sive short-circuiting of â€Å"The Electrical Storm† by opening the door of an â€Å"open house† to the mist infiltrating the house and causing â€Å"mildew's / ignorant map† on a wall.This poem's erotica is played out as the house receives nature's water. The house, with its opening to the outer environment, suggests Lota de Macedo Soares' property, Samambaia (a giant Brazilian fern), in the mountains above Petr? polis where Soares built Bishop a studio (PPL 911). The progressive architecture of their house lends itself to the way in which Bishop's poem has the outer environment flow indoors. More often, however, Questions of Travel traces aggressive conquests, as Bishop works through history's impact on the country. Natural power has been contained – harnessed, mined and packaged throughout history.Take â€Å"Brazil, January 1, 1502,† for example, and note how Bishop's natural images dialectically break down, then reach forward technologically. T he branches of palm are broken pale-green wheels; symbolic birds keep quiet; the lizards are dragon-like and sinful; the lichens are moonbursts; moss is hell-green; the vines are described as attacking, as â€Å"scaling-ladder vines,† and as â€Å"‘one leaf yes and one leaf no' (in Portuguese)†; and while the â€Å"lizards scarcely breathe,† the â€Å"smaller, female† lizard's tail is â€Å"red as a red-hot wire. † That beacon beckons from the poem's forms of colonial imprisonment. Breathlessness will find breath in EAP. * * William Benton's words from Exchanging Hats: Elizabeth Bishop Paintings accurately convey the benefit of studying two of Bishop's art forms to gain greater compositional insight into her â€Å"One Art. † In his introduction, he writes that, â€Å"If Elizabeth Bishop wrote like a painter, she painted like a writer† (xviii). Wires, cables and electrical technology are strewn abundantly through the paintings. O bserved in sequence, Bishop's black lines powerfully extend this emergent narrative of Bishop as an electric writer. The paintings Olivia, Harris School, County Courthouse, Tombstones for Sale, Graveyard with Fenced Graves, Interior withExtension Cord, Cabin with Porthole, and E. Bishop's Patented Slot-Machine are marked with black lines that technically disturb nature. The bold presence of Bishop's lines factor in virtually every painting to infringe upon nature (with the exception of the explicitly pretty watercolor odes to nature, such as the arrangement on the cover of One Art). When we align the Florida paintings with Bone Key and other published poems from Florida, we can chart the artist's development in accord with the technological presence of wires.As with the early poems in EAP, her oft-undated Florida paintings, circa 1937-39 when Bishop had returned from Europe, depict square architecture set off by wires askew. In Olivia, a painting of a weathered wood house on Olivia Street in Key West, the modest brown house is fronted by two contrasting white porch-pillars, and to the left â€Å"like a cosmic aspect, the telephone lines form a tilted steeple† (Benton 18) connected to the proximate telephone pole. The painting comes across as a satiric â€Å"Monument. † Likewise, the next painting, Harris School (21), is topped with battlements contrasted by wispy kites flying freely in the orange sunlight.Bishop's painterly contrasts invoke satire, rather like the parody of old Parisian architecture in â€Å"Luxembourg Gardens. † County Courthouse (23) is extremely dramatic – a transitional painting in the evolution of Bishop's transgressive art. Benton describes it well: â€Å"A view composed of what obstructs it. The central triangle [courthouse structure] that leads the eye into the painting is at once overwhelmed by foliage. Downed power lines contribute to the sense of disorder. The scene is the exact opposite of what a Sunday watercolorist might select. It is, in fact, a picture whose wit transforms it from a â€Å"scene† into an image of impasse†(22).The palms in the foreground overpower the courthouse of similar size in the center. Nature's supremacy over the architecture of man-made legal institution is accentuated by downed power lines, symbolizing, as often for Bishop, that our efforts to transmit information over and above nature depend on the co-operation of nature, the winds of which can knock down our voices. Tombstones for Sale, which is the cover of The Collected Prose, and Graveyard with Fenced Graves (31, 33) are filled with iron bars in harsh but beautiful contrast with flowering trees. Recall the iron-work balconies ‘growing'† up buildings in â€Å"The walls went on for years and years †¦. † These wonky walls are evident in Interior with Extension Cord, a painting of undetermined year with â€Å"the dramatic focus on the extension cord crossing the pl anes of the white room† (42). In here, the barren walls out-space the open door with view of the garden. The painting yearns for nature to be let in the door. Cabin with Porthole, the next painting (45), provides compositional relief. Bare but cheerful yellow walls surround the open porthole with blue ocean view; the painter's travel bags are casually set in order beside a neat flowerpot on the table.Travel looks homey here, made additionally comfortable by the fan plugged into the wall with electrical cord in the top-right corner. The next undated painting, Gray Church (47), is set by Benton in contrast to the lightness of Cabin with Porthole. The editor's placement of Gray Church, the painting's mood nearly as dark as van Gogh's The Prison Courtyard, suggests that Benton, like Quinn in EAP, ordered a dramatic narrative sequence so observers could follow an interpretive trail of artistic development. Although E.Bishop's Patented Slot-Machine (77)appears later in the book's se quence, perhaps because it is more of a sketch than a painting, it would have likely been created near the time she wrote â€Å"The Soldier and the Slot-Machine† in Florida, as Quinn documents it with a rejection letter from The New Yorker, October 28, 1942 (EAP 279). These amateur works of art evince the crucial importance of publishing flawed poems, scrawl, sketches and paintings that are incredibly useful tools to instruct us about their masters; in this case we see projection of the artist's techno-dreams. Of E.Bishop's Patented Slot-Machine, Benton writes, â€Å"The rainbow arc at the top of the picture – resembling the handle of a suitcase – bears the legend â€Å"The ‘DREAM'† (76). This dream, rainbow-shaped, carries technology in the form of the slot-machine. Whether or not observers want to view the rainbow dream as lesbian codification, as some students of â€Å"The Fish† do with that poem's victorious rainbow of otherness, the und eniable fact is that Bishop has painted â€Å"The ‘DREAM'† onto the handle of her slot-machine. This slot-machine is dependent upon currency for the dream of a fortunate future.Although an amateur painting, it is far more developed in terms of the progress of artistic, hopeful vision than earlier works, such as 1935's â€Å"Three Poems,† in which Bishop is desperately scanning seas from France, and the fortune teller turns up strange face cards as the only potential currency, so the poet dreams of travel. The 1942 sketch and poem, â€Å"The Soldier and the Slot-Machine† (EAP 56-57), not to be confused with the painting just discussed, appears like an adult-version Dr. Seuss parody of E. Bishop's Patented Slot-Machine complete with fearful alien beast atop machine in the sketch.In the poem, Bishop uses the soldier persona to depersonalize her dream, destroyed by a third-person other. Still, the persona employs first person: â€Å"I will not play the slot-m achine† bookends the poem as a mantra of abstinence from the drunken slot-machine. Nevertheless, it consumes coins until they melt surreally into â€Å"a pool beneath the floor . . . / It should be flung into the sea. / / Its pleasures I cannot afford† (EAP 58). This denial and apparent dismissal through the otherness of the soldier stays with Bishop, who cannot trash her desires in the sea; they pulled on her for years even if their expression remained unpublished.After The New Yorker's Charles Pearce rejected â€Å"The Soldier and the Slot-Machine,† Bishop recalled this event twenty-two years later in a letter to Robert Lowell: â€Å"Once I wrote an ironic poem about a drunken sailor and a slot-machine – not a success – and the sailor said he was going to throw the machine into the sea, etc. , and M[oore] congratulated me on being so morally courageous and outspoken† (EAP 279). Moore in 1964 was at that time congratulating Bishop on a moral lesson to be learned about Brazilian crime and punishment in â€Å"The Burglar of Babylon. However, the point that Bishop makes with quiet sarcasm in her letter to Lowell is that Moore missed the irony so crucial to understanding â€Å"The Soldier and the Slot-Machine. † Moore reads moral courage in Bishop's condemnations; actually, Bishop's morally courageous core, the one of social conformity that Moore applauds, melts in the machine. The soldier's denial to play it is weaker than the power of the machine itself, which melts and breaks into subterranean pieces – unacceptable mercurial junk that will be â€Å"taken away,† a disposal of natural, illicit desire.Travel in Florida and Brazil offers many cabins with portholes for Bishop to view the sea far away from stultifying northwestern culture. Sometimes Bishop allows the establishment to triumph, as in the balanced yellow painting of The Armory, Key West. Even here, though, wires dangle from the flagpole to create slight asymmetry. Merida from the Roof (27), the well-known cover of The Complete Poems, while a bit chaotic with copious windmills outnumbering church steeples, nevertheless illustrates an intoxicating tropical harmony. The dominant palm, telephone wires, city streets and buildings hang together nicely from the painter's balcony view.This Mexican painting from 1942 anticipates work Bishop would do in Brazil over the next two decades, such as â€Å"The Burglar of Babylon,† which ends with the poet looking down on Rio's crime-ridden poverty with binoculars. * * * When we contrast The Complete Poems with Edgar Allan Poe ; The Juke-Box, we can see just how much further Bishop's unpublished poems went in configuring her relation with the world through nature and technology's extensions of it; natural growth is given additional electrical currency to express sexual awakening, and I argue, a potentially full realization of her poetic power.Lorrie Goldensohn in The Biography of a Poetry discusses her discovery of â€Å"It is marvellous to wake up together† in a box from Linda Nemer in Brazil. This discovery and â€Å"Edgar Allan Poe & the Juke-Box† best exemplify Bishop's rewired sexuality. Quinn cannot be certain which of these poems was written first. In terms of the arc of the poetics I'm tracing here, it makes sense for â€Å"Poe's Box† to come first because it works to loosen up the sexual expression of â€Å"It is marvellous †¦. However, Quinn notes work on â€Å"Edgar Allan Poe ; The Juke-Box† as late as 1953, and narrates its intended place as the closing poem of A Cold Spring, which Bishop considered calling Bone Key. It may have been written as early as 1938 when Bishop wrote to â€Å"classmate Frani Blough from Key West about her immersion in Poe† (EAP 271). Lloyd Schwartz and Robert Giroux date it in the late thirties to early forties period. As A Cold Spring stands, it concludes with the rapture of à ¢â‚¬Å"The Shampoo† – a thinly veiled poem of lesbian eroticism in nature's guise. And yet when I teach this poem to students, I often have to explain the â€Å"concentric shocks. â€Å"The Shampoo† is a wonderful climax, but it abruptly follows â€Å"Invitation to Miss Marianne Moore. † This sequence repeats the juxtaposition evident in Bishop's letters between her lush tropical experience and her polite correspondence with Moore. Now we can envision an enlarged not so cold spring in the key of human bone warming up with â€Å"Edgar Allan Poe & the Juke-Box. † This poem is filled by emanations of light and sound from the Juke-Box. Starlight and La Conga are the Floridian dance-halls described as â€Å"cavities in our waning moon, / strung with bottles and blue lights / and silvered coconuts and conches† (49).This erotic-tropical electric fulfillment sounds more like Walcott than Bishop. The poem has â€Å"nickels fall into the slots,† drinks drop down throats, hands grope under tablecloths while â€Å"The burning box can keep the measure †¦. † Perhaps to ruin the party, Edgar Allan enters the last stanza in which Bishop writes, â€Å"Poe said that poetry was exact. † This poem, though, is a corrective to Poe's poetics, for Bishop knows for herself and Poe in the drinking establishment of poetry that â€Å"pleasures are mechanical / and know beforehand what they want / and know exactly what they want. Bishop focuses on â€Å"The Motive for Metaphor,† like Stevens, or like Baudelaire whom she was also reading at the time, knowing and tracing her desire for expression as expression. Conversely, Poe in the 19th-century tried to unite his metrical poetic exactitude with ideals of beauty while explaining his technique in â€Å"The Philosophy of Composition. † While the mechanics of meter involve precise measures, Bishop suggests that seeking pleasures is comprised of a more powerful m echanics. â€Å"Lately I've been doing nothing much but reread Poe, and evolve from Poe . . a new Theory-of-the-Story-All-My-Own. It's the ‘proliferal' style, I believe, and you will see some of the results †¦ [a reference to her prize-winning Partisan Review story ‘In Prison']† (OA, 71; EAP 271). Bishop's use of Poe illustrates her gripe with tradition as a source of monumental fixture, thus limited understanding, which has taught her well but prevents the poet from dancing at La Conga and telling that Floridian tale in A Cold Spring. Bishop wanted this poem near the end of A Cold Spring but didn't quite get it done.The final lines of the poem deal a further blow to Poe, and by extension to Bishop herself, when she asks, â€Å"how long does your music burn? / like poetry or all your horror / half as exact as horror here? † (50). Poe's horror stories (see Bishop's notes on â€Å"The Tell-Tale Heart† on the upper-right corner of the draft of this poem), and I would suggest her writing in The Complete Poems (as wonderful as it is), articulate a fictional horror that only comes half-way to expressing the full pleasure of horrific catharsis available in the experience and writing of Florida honky-tonks.Who would have thought Elizabeth Bishop a â€Å"Honky-Tonk Woman†? Bethany Hicok traces Bishop's florid night-life in her 2008 book, Degrees of Freedom: American Women Poets and the Women's College, 1905-1955, and thanks to Quinn we have the poetic evidence in print. â€Å"It is marvellous to wake up together† is a full and complete rendering of Bishop's eroticism. We might give Bishop latitude for not publishing this one in the Second World War period; Quinn estimates the date between 1941-6 when Bishop lived with Marjorie Stevens in Key West (267).Perhaps in the twenty-first century readers are comfortably relieved to hear Bishop express her lesbian sexuality, but in her time she did not want to be publicly scrut inized as a lesbian poet. In some respects, â€Å"It is marvellous to wake up together† is like â€Å"Electrical Storm,† since the poem speaks of sex after it has happened. Here, though, the stormy clearing is less anxious and repressive. Instead of diplomats' wives and spiteful neighbors' children, Bishop feels â€Å"the air suddenly clear / As if electricity had passed through it / From a black mesh of wires in the sky. All over the roof the rain hisses, / And below, the light falling of kisses† (EAP 44). Technology is god-like, hovering over their chosen house, and yet it is not alien, for the lightning storm's electrical current of rain follows in hisses rhymed with kisses. Bishop is fully in the arena now – with the powers above electrically charging the nature that conducts itself harmoniously in the bedroom. In the second stanza electricity frames the house so readers can imagine it being sketched artistically.Remnants of past prison-houses exist, and yet the past constraints of an inarticulate heart are transformed in this reality where â€Å"we imagine dreamily / Now the whole house caught in a bird-cage of lightning / Would be delightful rather than frightening;† the pleasure of this reality is also a dream, and it remains a dream in the last stanza. My point is not simply that dreams can come true, but that this true dream is limited to this house's electrical currents. The speaker is â€Å"lying flat on [her] back,† which is an interesting line because it suggests sex, and yet it is from this position, this â€Å"same implified point of view† that the speaker emphasizes inquiry: â€Å"All things might change equally easily, / Since always to warn us there might be these black / Electrical wires dangling. Without surprise / The world might change to something quite different †¦. † What sort of change is envisioned? The poem vaguely considers open futures; â€Å"something quite differentâ €  could be horrific or promising. Whatever change may come, these wires hang over the house, through Bishop's poem and art as charged presences connected to future advancement. â€Å"Dear Dr. -† was written in 1946, around the same time Bishop might have finished â€Å"It is marvellous to wake up together. † It continues to wire her present into the future: Yes, dreams come in colors and memories come in colors but those in dreams are more remarkable. Particular & bright(at night) like that intelligent green light in the harbor which must belong to some society of its own, & watches this one now unenviously. (EAP 77) These seven lines pull together a lot. Bishop's dreams – in Paris were quite alienated from her art-culture milieu; in Florida dreams are amplified by Juke-Boxes, liquor and dancing.There she finds physical lushness to match the dream currents that will sizzle in Brazilian experience. And yet in â€Å"Dear Dr. —† near the end of he r relationship with Marjorie Stevens, Bishop is writing from Nova Scotia to her very helpful psychiatrist, Ruth Foster (286), expressing this foreign glow as an alien perspective: â€Å"that intelligent green light in the harbor / which must belong to some society of its own,† suggesting some alien technological prophesy, which â€Å"watches this one now unenviously† (77).Goldensohn writes of electrical impasse in The Biography of a Poetry: â€Å"But still the wires connect to dreams, to nerve circuits that carry out our dreams of rescue and connection, or that fail to: in â€Å"The Farmer's Children,† a story written in 1948 shortly before Bishop went to Brazil, the wires also appear, telephone wires humming with subanimal noise eerily irrelevant to the damned and helpless children of the story† (33). This story, written late in the Florida years, is further evidence of Bishop's â€Å"proliferal† style, the multi-generic â€Å"One Art† deve loped in response to family, Northern traditions, Poe, and Europe.Bishop's evolving art comprised of poetry, fiction, letters and painting demonstrates psycho-sexual evolution found in Southern tropical harbors, far from the Northern remoteness of her mother's Nova Scotia. These poems from Edgar Allan Poe & The Juke-Box register extensively the alien vision so far ahead of what was admitted in Bishop's present. By contrasting the reserved perfections from The Complete Poems, such as â€Å"Electrical Storm,† and the limits of history as in â€Å"Brazil, January 1, 1502,† we can see what is held back there, waiting for the more fully expressed imperfect transgressions of Edgar Allan Poe ; The Juke-Box.The Complete Poems provide intricately innovative poems that point out limited perspectives while expanding ethical imaginations of the future, whereas Quinn's book enables readers to thoroughly explore the dream workings of a poet bursting from the libidinal confines of he r time, swinging by green vines through wires of sound and light to transmit electricity for an erotically ample future. Bishop's anxiety and longing for a more tolerant future society, as expressed in â€Å"Dear Dr. —,† can also be traced back to her thwarted effort at publishing â€Å"Pleasure Seas. This powerful erotic poem sits chronologically in the middle of her poetic development away from Europe (signaled by â€Å"Luxembourg Gardens† and â€Å"Three Poems† circa 1935), and stimulated by Florida in the late 1930s. â€Å"Pleasure Seas† illustrates the new powerful range of Bishop to be discovered when reading EAP and the Library of American edition next to The Complete Poems. As an â€Å"Uncollected Poem† in The Complete Poems, â€Å"Pleasure Seas† would perhaps sit more easily in the Poe . . . Box. The aberration of â€Å"Pleasure Seas† in The Complete Poems may explain why only a handful of critics have discussed its s ignificance.Bonnie Costello, Barbara Comins, Marilyn May Lombardi, and Jeredith Merrin have published helpful interpretations of â€Å"Pleasure Seas. † Each critic picks up on the poem as an indication of developments that Bishop makes, or does not quite make, in other published poems. Bonnie Costello, for example, writes in Questions of Mastery: â€Å"’Seascape’ and ‘Pleasure Seas’†¦anticipate the perspectival shifts in ‘Twelfth Morning; or What You Will,’ ‘Filling Station,’ and ‘Invitation to Miss Marianne Moore,’ in all of which the poet's pessimism is countered.In these later poems she achieves a vision at once immediate, even intimate, and yet directed at the world and questioning a single perspective of selfhood† (15-16). Costello also makes an important observation in a footnote: â€Å"‘Song' may be a rewriting of ‘Pleasure Seas'† (249, n. 16). However, according to Schwart z and Giroux, â€Å"Song† was written in 1937, two years before â€Å"Pleasure Seas,† which then reads as an amplified fulfillment of the sad song from two years earlier. The latter ocean poem swells with pleasure in face of forces that threaten that very pleasure.Now that we can read â€Å"Pleasure Seas† in the larger context of Bishop's struggle to write sexual poetics, the poem makes more sense and gathers like-minded poems into its vortex of desire. â€Å"Pleasure Seas† is a study of water — contained, distorted and freed. It begins with still water â€Å"in a walled off swimming-pool† (195) – another wall like the ones that go on â€Å"for years and years† in the poem from 1943. This man-made pool contains â€Å"pink Seurat bathers,† like the publicly acceptable automatons in his famous paintings, Bathers and La Grande Jatte.This viewer, though, is a surrealist who observes this scene through â€Å"a pane of bluish glass. † Seurat's bathers have â€Å"beds of bathing caps,† again resembling and anticipating the beds inside and outside the balconied rooms of â€Å"The walls go on for years and years †¦. † Are these bathers' heads in or out of it? Contained within a pool, they are willing prisoners of public space in chemically-treated water. At the close of the poem, they are â€Å"Happy . . . likely or not–† in their floral â€Å"white, lavender, and blue† caps, which are susceptible to greater weather forcing the water â€Å"opaque, / Pistachio green and Mermaid Milk. The floral garden colors of their caps contrast with disarming shades. That awfully bright green is â€Å"like that intelligent green light in the harbor† of â€Å"Dear Dr. ,† belonging to the alien society unenvious of the contemporaneous one. Jeredith Merrin, in â€Å"Gaiety, Gayness and Change,† asks how â€Å"Pleasure Seas† moves â€Å"from entrapme nt to freedom, from (to borrow from Bishop's own phrasing from other poems) Despair to Espoir, from the ‘awful' to the ‘cheerful'†? (Merrin in Lombardi 154).The next sentence of â€Å"Pleasure Seas† envisions free ocean water â€Å"out among the keys† of Florida mingling, interestingly, with multi-chromatic â€Å"soap bubbles, poisonous and fabulous,† suggesting both â€Å"The Shampoo† to come, and the poisonous rainbow of oil in â€Å"The Fish† – another natural being that should exist freely in nature, which is caught in a rented boat. Even â€Å"the keys float lightly like rolls of green dust† connotes geological formations that are susceptible to erosion. Everything green and natural is made alien. The threat is intensified by an airplane; a form of human technological height that flattens the water to a â€Å"heavy sheet. The sky view is dangerous in Bishop's poems; consider â€Å"12 O'Clock News† in whi ch the view from the media plane ethnocentrically objectifies the dying indigenes below. In â€Å"Pleasure Seas† the poet says the plane's â€Å"wide shadow pulses† above the surface, and down to the yellow and purple submerged marine life. The water's surface even becomes â€Å"a burning-glass† for the sun – the supreme force of nature is harnessed as destructive technology, as with the high airplane, which, as Barbara Comins notes in â€Å"That Queer Sea,† is â€Å"casting a ‘wide shadow' upon the water . . . uggesting some inherent anguish in going one's ‘own way'† (191). Comins and Merrin see Bishop here pushing the poetic limits of her sexual expression. Even though the sun turns the water into â€Å"a burning glass,† the sun naturally cools â€Å"as the afternoon wears on. † Nature and technology dance in a somewhat vexed but â€Å"dazzling dialectic† here. Brightest of all in this poem is the â€Å"vi olently red bell-buoy / Whose neon-color vibrates over it, whose bells vibrate // To shock after shock of electricity. † Neon is the most alien of lights. As with the Juke-Box charging its place, this buoy electrifies its environment.Its otherly transgression â€Å"rhythmically† shocks pulses through the sea. â€Å"The sea is delight. The sea means room. / It is a dance floor, a well ventilated ballroom. † These lines from â€Å"Pleasure Seas† contain the charge picked up in â€Å"the dance-halls† of â€Å"Edgar Allan Poe & the Juke-Box. † That poem has seedy, drunken desire releasing the inner alien; in â€Å"Pleasure Seas† it is potentially trans-gendered here in the homonym of the â€Å"red bell-buoy,† the color of passion also found in â€Å"the red-hot wire† of the lizard tail in â€Å"Brazil, January 1, 1502. † That lizard is notably female. Both poems vibrate outward into larger spaces.From paradisal waters, the poem retreats to the â€Å"tinsel surface† of swimming pool or ship deck where â€Å"Grief floats off / Spreading out thin like oil. † Natural poison spills, damages, and disperses. â€Å"And love / Sets out determinedly in a straight line†¦But shatters† and refracts â€Å"in shoals of distraction† (196). These shoals receding around the keys anticipate the homosexual vertigo of Crusoe's surreal islands in the late great semi-autobiographical poems of Geography III, the 1976 volume beginning with young Elizabeth Bishop's formative experience of inversion â€Å"In the Waiting Room† – â€Å"falling off / the round, turning world† (160). Pleasure Seas† ends with water crashing into the coral reef shelf – at the surface of nature, half in, half out – â€Å"An acre of cold white spray is there / Dancing happily by itself. † Out there in the sea, as land gives way to coral reef, the poet creates a  "well ventilated ballroom† to be free and ecstatic. Unlike the public spaces of the Florida honky-tonks, these pleasure seas are solitary. They are, however, natural – and thus contrast the ironic happiness of â€Å"the people in the swimming-pool and on the yacht, / Happy the man in that airplane, likely as not–† (196). This pleasure of 1939 holds the promise of liberation, momentarily.While explorations in the late thirties lead to joyful poems such as â€Å"It is marvellous to wake up together,† and the thirsty â€Å"Edgar Allan Poe & the Juke-Box,† another Florida poem bids farewell, circa 1946. â€Å"In the golden early morning †¦Ã¢â‚¬  contains many of the Floridian tropes merging nature with technology. About a trip to the airport, it indicates a break up with Marjorie Stevens (â€Å"M† in the poem). As the speaker is being driven to the airport in the early morning, she reads the newspaper stories of human horror: I kept wondering why we expose ourselves to these farewells ; dangers—Finally you got there ; we started. It was very cold ; so much dew! Every leaf was wet ; glistened. The Navy buildings ; wires ; towers, etc. looked almost like glass ; so frail ; harmless. The water on either side was perfectly flat like mirrors—or rather breathed-on mirrors. (EAP 80) The water as foggy mirror is an example of how technology (a mirror in this case) extends nature to reflect for Bishop an extension of herself that can't quite exist freely on its own, or in the social world. More dramatically, an airplane descends this early morning: â€Å"Then we heard the plane or felt it . . .† She feels the sublime vehicle â€Å"as if it were made out of / the dew coming together, very shiny. † The plane is similar to the aircraft's technological transgression in â€Å"Pleasure Seas,† but â€Å"In the golden early morning . . . ,† it is also like a product of nature made from the dew. This simile resembles the fusion of technology and nature in â€Å"Pleasure Seas† where the red bell-buoy charges the sea, or in â€Å"The walls . . . † where the â€Å"wires were like vines. † These images express Bishop's longing to extend but not quite transcend the provocative desires of the physical world.Her projections are made possible by poetic language's explicit tropic function: it is a technological extension of reality. Bishop's technologies blatantly transgress nature by pointing to her exclusion from it when it participates in traditional symbolic order. She comments, as the flight crew in the poem gets out of the plane, â€Å"I said to you that it was like the procession / at the beginning of a bullfight . . . † (EAP 81). Somebody's going to die. From the outside looking in, Bishop is neither inside the plane, or remaining part of the natural morning. Always liminal, always on the move, she and her poetry are the

Poor Lifestyle Essay

In the modern world, the modern urbanites are living in a tense community. Consequently, they might have different kinds of poor lifestyle in their life. According to Woods (2010), poor lifestyles always include smoking, drinking, poor diet and lack of exercise, which perhaps lead to a higher chance of cancer. However, it could be environmental pollution. Health plays an important role in people’s life. Therefore, it is essential to choose the right food or the right healthier way in your life. Moreover, environmental pollution could influence people in their lives as well. This essay will discuss about health issue on quality of life and how environmental pollution affects human’s lives nowadays. On the one hand, the healthy diet is more and more popular in this society. Hamer, Molloy and Stamatakis (2008) claim that there is a connection between the level of physical activity and diet or nutrition that people consume from the different foods. When a person eats immoderately, the calorie would be transformed to fat or cholesterol which is harmful for people’s health. It means that they will become overweight or obese. There are some dangerous factors if they are suffering obesity such as cardiovascular diseases, high blood pressure, body pain, being out of breath, easily tired and disability. Although people also eat a great deal of fruits or some natural food at the same time, it might be produced some harmful effects. For instance, eating too much animal fat is a main cause of sickness or ill health also our bodies need a little but most of us eat too much. Some people know saturated fat. Therefore, it could make the person get a disease and be overweight (BBC n.d.). However, there are numbers of fats in fish, chicken, eggs, turkey, duck, beans, dog, lentils and foods made from these. Unsaturated fat may be better for the people, but eating too much fat of any type can gain their weight. It is better to buy a small amount of lean meat rather than fatty meat or solid fat. The best way is to eat more fish or different kinds of nutritional food and do not forget to get a high iron intake by eating something like liver and bitter foods. Some traditional meal, they use pulses provide good nutrition, to reduce the use of animals fat in the cooking. (Morbidity, Mortality, 1996) On the other hand, environmental pollution could lead to poor lifestyle as well. The pollution could happen in many different sources such as contaminate water, air, and light. At first, the indoor air pollution will make children and teenager getting diseases. Cooking and heating with solid fuels on some open fires or traditional stoves will produce small particles and carbon monoxide, especially for young children and women. According to the Global Health Risks, indoor air pollution leads to 2.7% of world diseases. (WTO n.d.) Furthermore, air pollution also leads to higher temperature and green house effect. Take Chicago as an example. Many residents feel like it is too dangerous because of the high humidity and air pollution. People with pulmonary and respiratory diseases are very sensitive so they should limit their activitiesï ¼Ë†CDT, 2011ï ¼â€°. Secondly, water pollution would threaten tap water quality. According to the EWG, the biggest sources of contaminants are agriculture and industry. The environmental group finds the water that people drink everyday which contains about 260 chemical contaminants altogether. The pollution will be more dangerous to the citizens and pose a great threat on the human beings. (Larry West, n.d) As suggested above, environmental pollution is divided into several aspects, such as air pollution and water pollution, which might contribute to poor lifestyle. Nevertheless, every kind of pollution will damage our lifestyle so people should be aware of the risks. In addition, the government ought to lay down some laws to stop air pollution. This is because it could avoid deterioration of contamination. However, in developing countries , where pollution is strictly regulated, it still has much more things need to do. In conclusion, health and environmental pollution have a huge effect in the life. Air pollution is known to could affect people’s health as well.If a person had good health, they can do anything they want. As a result, people need to be care about their diet and lifestyle. It could save their health and lead the people more happy. Nevertheless, environmental pollution could affect the person. Even though the people are healthy. All show that poor lifestyle is unhealthy in this community. Reference: 1. Hamer M, Molloy GJ, Stamatakis E. (2008) Psychological Distress as a Risk Factor for Cardiovascular Events J Am Coll Cardiol. 52:2156-2162 2. Woods T. (2010) , Poor Lifestyle Means Poor life Span, [online] Available at: < http://www.emaxhealth.com/1357/poor-lifestyle-means-poor-life-span.html> [Accessed 1 August 2011] 3. BBC n,d, The risks of a poor diet and being overweight [online] Available at:[Accessed 31 July 2011] 4. Morbidity & Mortality Weekly Report. June 14, 1996; 45 (RR-9):1-33.Guidenlines for School Health Programs to Promote Lifelong Healthy Eating. 5. WTO, n.d, Indoor air pollution, [online] Available at: [Accessed 2 August 2011] 6. CDT, (2011) Pollution alert today, heat index could reach 100 degree, [online] Available at: [Accessed 2 August 2011] 7. Larry West, n.d, Tap Water in 42 States Contaminated by Chemicals, [online] Available at: [Accessed 2 August 2011]

Essay on Heres how rates will affect your money next year.

Essay on Heres how rates will affect your money next year. Essay on Heres how rates will affect your money next year. Essay on Heres how rates will affect your money next year.The purpose of this paper is to discuss the perceived changes of interest rates over the next two years and to consider the changes that will happen to consumer spending plans and to personal spending plans related to the anticipated actions of the Federal Reserve. In my opinion, the Federal Reserve is about to start increasing interest rates as the Fed makes quite direct hints at the future rate increase; the increase of interest rates will happen in 6 months or in a year. Such changes will stimulate spending and short-term borrowing before the rates increase; after the increase, spending and borrowing will decrease, and the rates of saving will likely increase. As for me, I would consider making important purchases related to short-term borrowing now. I will try to concentrate short-term spending in the first half of the year, and focus on saving and repaying loans after the rates increase. Furthermore, since the Fed is plan ning to keep interest rates low for some more time (although it is not stated clearly how long it might take), I would consider making important purchases such as cars during the next year or two.Current forecasts of economic growth in 2015 indicate that GDP growth of the U.S. economy in 2015 will be between 3.0% and 3.2%, which is quite high compared to previous dynamics (Quinn, 2014). Currently the Federal Reserve still keeps interest rates at the record low level of 0.25% for 10-year Treasury Bonds. Such strategy started in 2008 and was part of expansionary monetary policy aimed at stimulating spending and reviving the economy. However, during the recent year the economy showed notable improvement 2.3% of real GDP increase in 2012 and 2.2% in 2013 (Saphir, 2014). The economy is expected to become even stronger in 2015. At the same time, there are two factors urging the Fed to increase interest rates soaring budget deficits accompanied by the danger of draining the U.S. economy by debts, and the probability of going to an inflationary spiral due to active spending. Both of these problems can be addressed by gradually increasing interest rates.According to Saphir (2014), the Federal Reserve officials state that June 2015 might be a reasonable starting time for implementing the liftoff. The initial position of the Federal Reserve was to wait with the rate increase until inflation reaches its goal of 2%, but the improvement of employment that was beyond expectations might encourage the Fed implement the liftoff earlier. Interest rate increases make it more expensive for consumers to finance goods, to pay off their debts and to borrow money. Therefore, the increase of interest rates will lead to the decline of spending and investment, and will encourage savings (Rabbior, 2010). In general, people with liquid assets such as short-term deposits might benefit from higher interest rates (Rabbior, 2010).As for me, I would like to use the opportunities of low intere st rates such as low-cost borrowing while the rates are still at their record low level, so I would make short-term purchases such as car, household appliances and equipment using borrowing. If I have available funds, I would like to repay long-term debts during the next 6 months or, maximally, 1 year, because after that time the cost of servicing the debt will increase.If I were to buy a home, I would be reluctant to do this now since the interest rates are likely to increase in the future. However, if I had good job perspectives for several years and could expect high earnings during these years, I might prefer buying a home and repaying the loan as quickly as possible. Since in the long-term perspective interest rates are expected to grow, it is best to take advantage of the period of inexpensive borrowing. It might be efficient, for example, to purchase a home or an apartment using fixed-rate mortgage while the rates are still favorable.As for refinancing a home, it would be ben eficial provided that two conditions are satisfied that it is possible to refinance a loan and to have a new fixed-rate loan, and that the initial interest rate of the loan was higher than the actual interest rate. In general, it is not reasonable to start refinancing loans now, since the interest rates are about to increase. However, if refinancing helped decrease the loans term, then such decision might be appropriate because the current strategy of borrowing should be focused on repaying the loans before the interest rates change.Regarding saving more money in the bank, it is more beneficial to save when the interest rates increase, i.e. in 6 months or in a year. Currently, it is beneficial to spend and to make important purchases, and then to start saving when the Federal Reserve finally applies the liftoff. Regarding investing into stock market, the strategy is just the opposite it is beneficial to invest into stock market currently when the interest rates are low since it is possible to use low-cost debt to finance investments, but it would be less beneficial when the interest rates increase. So I might engage into stock market investments during 6 months or maximum a year, and will be more reluctant to invest into stock market when the interest rates increase.

The Complete College Application Process Expert Guide

The Complete College Application Process Expert Guide SAT / ACT Prep Online Guides and Tips If you want to successfully complete the college application process and make yourself as competitive for college admission as possible, you’ll be directly or indirectly working on your college applications well before the deadlines approach. In fact, if you have any intention of applying to selective colleges, this process can really begin as early as your freshman year. In this article, I’ll describe all of the tasks you should complete to maximize your chances of getting into the best possible college. Furthermore, I’ll let you know when you should be completing these tasks so that you’re able to stay on top of the process. Feature image source: Scott Savage/Flickr Overview of the College Application Process The major components of your application that will be evaluated are your transcript, your standardized test scores, your recommendations, your personal essay, and your extracurricular activities. I'll walk you through all the steps you need to take to strengthen each component of your application. If you follow my advice and timeline, you'll make yourself an extremely strong candidate for any college. Read on to learn the specific things you should be doing and when to do them. Take the Right Classes When to start: Before freshman year Colleges will evaluate you based on the classes you’ve taken. The most selective schools want to admit students who have challenged themselves and are willing to push themselves academically. You don’t have to take every single honors and AP course that’s offered at your school, but if you want to get into a top college, you should be able to demonstrate that you can excel in some of the hardest courses that are available to you. Also, it's best to take the most difficult classes in the subjects related to your academic strengths or your intended major. You should begin thinking about whichclasses totake before your freshman year of high school. In many schools, the math or foreign language class you take during your freshman year will determine what level you’re able to reach when you’re a senior in high school. Spend ample time considering which classes to takeand whether those classes will allow you to pursue your academic interests and reach your college goals. Specifically, consider whichscience, math, history, foreign language, English, elective, and AP classes you should take. Challenging yourself makes you stronger. Get Good Grades When to start: Freshman year I think this is pretty obvious, but your grades matter to colleges. The majority of colleges will focus on your sophomore and junior year grades, but schoolswill also look at your freshman and senior year grades. Also, your high school GPA is typically calculated from your grades from all four years of high school. You should try to maintain the mentality that every semester counts, and do as well as you can each year of high school. For inspiration and useful information, check out our article on how to get a 4.0 GPA and better grades. Excel in Extracurriculars When to start: Freshman year Other than your grades and test scores, your extracurricular activities probably have the biggest influence on the quality of your college application. Colleges, especially the most selective ones, want their students to have exceptional achievements outside of the classroom, and they’re looking for individuals who use their leisure time to pursue their passions. You should participate in extracurricular activities throughout high school. Colleges prefer to see a sustained commitment to your activities; it’s more impressive to do one activity for four years and continue to show growth in that activity than it is to do four activities for one year each. Some students believe they need to be well-rounded and do a ton of extracurriculars; however, for college admissions, it may be more advantageous for you to develop a â€Å"spike† and exhibit excellence in a particular activity or field. Instead of playing every sport, writing for the school newspaper, participating in speech and debate, and joining student government, you may be better served to focus your extracurricularefforts on becoming a superstar field hockey player. Or, if you're passionate about science, you may want to spend your free time creating an award-winning project for science fair or competing in Science Olympiad. If you have multiple interests, it's perfectly acceptable to explore all of them; just keep in mind that you don't have to do every possible extracurricular to get into a great college, and, generally, reaching the highest level in a given activity requires such an incredible time commitment that you won't have time to participate in many other activities outside of school. Learn what to do if you’re struggling to find extracurriculars. Also, when you’re filling out your college applications, know how to write about your extracurriculars. Maybe the marching band is a good extracurricular for you. Image source:Utah Department of Transportation/Flickr Rock Your Standardized Tests When to start: Sophomore year Even though some colleges have minimized the importance of standardized tests in admissions, your standardized test scores are still a crucial component of your application to most colleges. I advise starting your studying for the SAT/ACT during your sophomore year. Also, you may want to take the PSAT or PreACT during your sophomore year to familiarize yourself with standardized tests. To give yourself the best chance of reaching your target score and to decrease your stress level, we recommend first taking your SAT/ACT in the fall of your junior year. If you don’t reach your target score on your first attempt, you can do more studying and retake the test in the spring of your junior year. If you achieve the score you’re hoping for by the end of your junior year, you’ll have more time duringyour senior year to focus on your schoolwork, extracurriculars, and college applications. If you’re still unsatisfied with your score at the end of your junior year, you have more time to study over the summer and retake the test in the fall. Make sure you know when is the last time you can take the SAT/ACT. Your deadline for taking the SAT/ACT is dependent upon the specific schools you apply to and whether or not you apply early. For most schools, for early decision, you have to take the SAT/ACT by October or November of your senior year, and for regular decision, you have to take the SAT/ACT by December of your senior year. However, there are a few colleges that will accept the January SAT or the February ACT. If you’re considering applying to a school that requires SAT Subject Tests, I also recommend taking those by the end of your junior year. Research Colleges When to start: Junior year Before you apply to college, you need to know which colleges to apply to. You can start learning about colleges as early as your freshman year, especially if you want to get an idea of what you need to do to be a competitive applicant, but you should actively research colleges starting in your junior year at the latest. Use college search websites, finders, guidebooks, and ranking lists to help find colleges that would be a good fit for you. You can also use college fairs and tours to gain more exposure to different colleges and get a better idea of what you’re looking for in a school. By the start of your senior year of high school, you should have a list of colleges to apply to. I recommend applying to reach schools, target schools, and at least a couple of safety schools. College Fair fun. Image source:Patrick Giblin/Flickr Get Superb Recommendations When to start: Spring of junior year Recommendations are also an important part of your college applications. Colleges want assessments from others on your abilities as a student and your character. Be aware of what constitutes a good recommendation and how to ask for a letter of recommendation. It’s best to initially ask teachers to write your recommendations in the spring of your junior year. By asking early, you’ll be able to get your teachers to agree before they become inundated with requests during your senior year, and they’ll have more time to think about what they’re going to write. Make sure you know whom to ask to write your letters. At the beginning of your senior year, you can submit formal requests for your recommendation letters. Also, for your reference, check out these recommendation letters that got a student admitted to Harvard and other Ivy League schools. Write Outstanding College Essays When to start: Summer before senior year Writing your college essays is the most challenging and time-consuming part of the actual application process. Learn everything you need to know about the college essay and how to come up with great college essay ideas.I recommend starting to work on your college essays during the summer before your senior year. The absolute latest you'd want to wait isthe beginning of your senior year, as soon as you’ve finalized thelist of colleges you’re applying to. Even though college essays aren’t particularly long, in my experience, they do take much longer than you’d anticipate, and you’re less likely to be able to write good essays if you wait until the last minute to start. Give yourself enough time to have a trusted teacher or counselor proofread your essays. And you’ll also need time to revise them. Obviously, the essays have to be completed before you submit your applications. If you’re applying early, most deadlines are in mid-November. If you’re applying regular decision, most deadlines are around January 1st. Make sure you keep track of deadlines forthe schools you’re applying to because deadlines will vary. For example, the application deadline for University of California schools is November 30th. Final Thoughts and Additional Steps For most students, the steps listed above are the major components of the college application process. However, some of you may have to do extra work depending on your situation and the colleges you apply to. For example, if you're an aspiring college athlete, you may participate in the athletic recruiting process. If you're applying to an art school or program, you may have to make an art portfolio. Also, some colleges recommend or require interviews. If you interview, know what questions to ask and prepare for. For those of you seeking financial aid, you’ll have to go through the financial aid process, and you may want to apply for scholarships. You should find out the status of earlyapplications in mid-December and regular applications by late March. Then, you may find yourself with multiple options and have to face the task ofchoosing a college. While the application process can feel overwhelming and incredibly stressful, you can minimize your stress by having a plan and avoiding procrastination. Don’t worry too much. Regardless of what you do, there’s no absolute guarantee that you’ll get into the most selective colleges, but if you try hard and follow our advice, you’ll get into a good college and develop the attributes that will enable your future success. What's Next? If you're looking for an example of what you need to do to get into the best colleges, check out this successful Harvard application. Perhaps you've heard people reference Ivy League schools, but you're not exactly sure what they are. Learn about Ivy League colleges and read our article ranking the Ivy League schools. Finally, figure out where in the country you should go to college. Want to improve your SAT score by 160 points or your ACT score by 4 points?We've written a guide for each test about the top 5 strategies you must be using to have a shot at improving your score. Download it for free now:

Drugs and War on Drugs Essay Example | Topics and Well Written Essays - 2500 words

Drugs and War on Drugs - Essay Example Introduction:   In the United States, drugs first came into use reportedly during the 1800s.  During the time of the American Civil War, opium as well as cocaine started gaining popularity. In the post-war era, Coca was commonly used as a constituent element in several health drinks. In1906, Morphine was discovered and it was basically used for medical purposes. Doctors made use of Heroin for treating respiratory diseases, and these treatments proved to be successful in most cases. Moreover, they prescribed Morphine as a common pain reliever. The demand for Cocaine increased as the era of junk food and soft drinks was rolling by, especially so in case of Coca-Cola, which used Cocaine as one of its main ingredients. However, these drugs were being misused and the local governments started to prohibit opium dens and opium imports. Additionally, the Pure Food and Drug Act of 1906 required all physicians to precisely label their medicines and drugs were not considered as harmless rem edies for pains and aches. In 1914, The Harrison Narcotics Act was passed, which is the first federal drug policy of the United States. The act was strictly enforced and it controlled the manufacture and trade of cocaine, marijuana, morphine and heroin. Moreover, physicians who prescribed drugs to addicts, were severely punished by being thrown in jails or paying high fines, especially in the period between 1915 and 1938. So, it can be discerned that through this federal drug policy, the government basically targeted pharmacists and physicians. Furthermore, in 1930, the Treasury Department formulated the Federal Bureau of Narcotics, which would later on shape the American view of drug policies. Various records and data show that drugs were gradually viewed as more offensive in the following years.  In 1951, The Boggs Act radically increased the severity of punishment awarded against the use of marijuana.  In 1956, Narcotics Control Act was passed, which proved to be one of the m ost strongly enforced acts during the time.  In order to make the punishment system more effective, discretion of probation and suspended sentences was removed.  Parole was rendered to those who were only convicted for the possession of drugs, however for those who were caught selling heroin and other drugs to minors, the only option was death penalty. A slinger criticized the judges for being easy on drug dealers and suggested longer minimum sentences.  He established a penalizing drug policy with a spotlight on drug law enforcement.   The Federal Bureau of Narcotics used propaganda also as a preventative measure.  They brought awareness to the people through facts such as  marijuana being responsible for bizarre cases of madness, sex crimes and murder.  There occurred a lot of horrifying incidents as a result of drug abuse and several people suffered in its wake.  During the 1940s and 1950s, people simply did not believe in these incidents and thought them to be ma ke-believe. This resulted in the former failing to heed to the government’s caution about drugs and falling victim to drug abuse on a larger scale.  However, the 1960s gave rise to a rebellious movement, which aimed at popularizing the use of drugs.  The demand for drugs in America reached its peak during this period. The Johnson

Personal ethics development Essay Example | Topics and Well Written Essays - 750 words

Personal ethics development - Essay Example The process of testing rules comprises of its universality i.e. can the rules be universally applied to everyone or it treats people as ends but not the means. Every individual has some of the sources where he or she draws some of the basic principles in life that forms the basis of what is wrong or right behavior. In several instances, the following are some of the major sources of ethics. Childhood upbringing- every person learns ethics from his or her parents through either words or most importantly through their actions. I learned some of the ethics by observing and listening and observing what my parents as I grew up. Life experience- at a later stage in life, some of the events directly and consciously shapes the ethics of an individual. For instance, an individual who was treated unfairly during a road accident may most likely have negative attitude in life towards people who treated him or her unfairly. Religious beliefs- nearly most of the religions in the world teach similar code of ethics that emphasizes on respect for other people’s rights, honest and selflessness. Therefore, whether in business or in business situations, religious people act in a manner that is seen as being ethical A person’s ethics can be displayed in the place of work since an individual and the organization can both affect each other’s actions and behavior. Team leaders have a great impact on their team’s behavior and ethics. A place of work is a good place to learn ethics since employees affect each other’s psychology and moral behavior. Therefore employees act as each other’s source of inspiration Good ethics assist an individual in understanding his or her working environment. It also assists an individual to wheedle with team members both in junior and senior positions in a friendly way. This assists in creating conducive working environment thus increasing the performance level. A